The Angel Esmeralda by Don DeLillo
(Stories.)
Don DeLillo's writing style is controlled and bloodless. Clear, with a slow pace. In an enervated tone DeLillo examines, through most of the collection, delicate Princess-and-the-Pea persons in controlled situations. Even when presenting what are in effect stalkers-- he does this often-- the moments are careful. Unlike Joyce Carol Oates stories (reviewed below) Don DeLillo's tales take no chances, make no mistakes.
This guy takes baby steps. Picture Mr. DeLillo shuffling slowly along a sidewalk. DeLillo's a commodity trader jumping in and out of a market, taking quick small profits, never going for the big score.
Two points about the DeLillo approach.
1.) He has a one-note technique. The first story in the book dates from 1979, the last from 2011, yet they could've been written on the same day. Status quo writing. The frozen Ice Man seen in the National Geographic.
2.) Like all literary writers, DeLillo's narratives exist mainly inside his head, which gets tedious.
DeLillo's not as observant about people as Oates. He doesn't see through them. DeLillo portrays characters as blank walls, then searches for flickers of personality behind the walls. People as mysteries. Only the situations change, whether on a university campus ("Midnight in Dostoevsky") in a museum ("Baader-Meinhof") or at a movie house ("Starveling").
The title story, "The Angel Esmeralda," begins the same way, DeLillo examining the lower class from a detached perspective. An onlooker contemplating the Other. An intermediary is brought in: Ismael. (Do we assume literary significance?) The setting is the South Bronx. The environment takes on realistic shape, until it reminds me of the last time I lived in Detroit, three years ago. This surprises me.
DeLillo steps cautiously outside his usual bounds as the reality, the risks, the emotion and the meaning become tangible. The story is about the forays of a small group of liberal nuns (nuns by definition are liberal) into a harsh and chaotic world. The nuns, by their determined commitment and their selflessness, become heroes. Excellent stuff.
The difference between this story by Don DeLillo, and everything Joyce Carol Oates has ever written, is each author's different view of humanity and the universe. "The Angel Esmeralda" has soul.
"--does the power of transcendence linger?" At its best, art is transcendence.
Reading the stories in this volume is like a nun waiting for the face of Esmeralda to appear. It does appear.
PUBLISHER: Scribner
REVIEWED BY: King Wenclas
BLITZ RATING: 8.5
Showing posts with label Joyce Carol Oates. Show all posts
Showing posts with label Joyce Carol Oates. Show all posts
Thursday, November 24, 2011
Sunday, November 20, 2011
Wasted Talent
Give Me Your Heart by Joyce Carol Oates
("Tales of Mystery and Suspense")
Joyce Carol Oates has as much pure writing talent as any American writer going. Oates is a master with words. She's observant. She comes up with the occasional surprising insight, expressed in a perfectly concise way. Her problem is the "More Is Less" syndrome, which we see in the rock n' roll field with Bruce Springsteen, Sting, Paul McCartney, Bono, and, well, everybody except Neil Young and rock artists who conveniently died.
They should have all retired the moment they began recycling themselves. Quit when their best work was out there, it couldn't be topped, they'd said all they had to say.
With Joyce Carol Oates the point may have been reached after the Upon the Sweeping Flood stories in the 1960's.
This current story collection provides little mystery and no suspense, but it does offer competent prose and a lot of laughs. One story, "Smother," is fairly good. Some are passable. Others are ridiculous. I laughed out loud during every story, either when Oates pushes the writing style too far ("pushes" "the" "writing" "style"), or at the ridiculous characters, situations, and expected "unexpected" moments of violence.
Sorry, Ms. Oates, but the "second husband" picking up that pitchfork-- ain't gonna happen. Not minutely believable. Anyone who understands people knows this. He'll think it, sure-- Oates's characters live intense lives inside their heads. But hey, it's only entertainment, right?
Mary Roberts Rinehart hysteria combined with cranky misanthropy and comedic violence-- this book is more cartoonish than my Crime City USA!
PUBLISHER: Houghton Mifflin Harcourt
REVIEWED BY: King Wenclas
BLITZ RATING: 6.5
("Tales of Mystery and Suspense")
Joyce Carol Oates has as much pure writing talent as any American writer going. Oates is a master with words. She's observant. She comes up with the occasional surprising insight, expressed in a perfectly concise way. Her problem is the "More Is Less" syndrome, which we see in the rock n' roll field with Bruce Springsteen, Sting, Paul McCartney, Bono, and, well, everybody except Neil Young and rock artists who conveniently died.
They should have all retired the moment they began recycling themselves. Quit when their best work was out there, it couldn't be topped, they'd said all they had to say.
With Joyce Carol Oates the point may have been reached after the Upon the Sweeping Flood stories in the 1960's.
This current story collection provides little mystery and no suspense, but it does offer competent prose and a lot of laughs. One story, "Smother," is fairly good. Some are passable. Others are ridiculous. I laughed out loud during every story, either when Oates pushes the writing style too far ("pushes" "the" "writing" "style"), or at the ridiculous characters, situations, and expected "unexpected" moments of violence.
Sorry, Ms. Oates, but the "second husband" picking up that pitchfork-- ain't gonna happen. Not minutely believable. Anyone who understands people knows this. He'll think it, sure-- Oates's characters live intense lives inside their heads. But hey, it's only entertainment, right?
Mary Roberts Rinehart hysteria combined with cranky misanthropy and comedic violence-- this book is more cartoonish than my Crime City USA!
PUBLISHER: Houghton Mifflin Harcourt
REVIEWED BY: King Wenclas
BLITZ RATING: 6.5
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